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| | Vārds, Uzvārds: | Demetria Lovato | | Niks: | Official Demetria Lovato | | Valsts: | ASV |
| Par sevi: | Demi Lovato had lofty goals for Here We Go Again: “I wanted not only to make a great album, but I also want my music to inspire people, to help them get through whatever they’re going through in their lives. That’s the ultimate goal with every piece of music I make.” On Here We Go Again, with ultra-personal songs like the irresistible, buoyant title track, the hard-rockin’, sultry “Got Dynamite” and confessional pop perfection of “Solo,” Demi met—and exceeded—her goals. The multi-talented 16-year-old became a household name thanks to TV smashes--her starring roles in the Disney Channel sitcom “Sonny With a Chance” and movie “Camp Rock”--but, Demi says emphatically, “music is my first love.”
On her 2008 debut album, Don’t Forget, Demi collaborated with long-time friends and tour mates the Jonas Brothers, while Here We Go Again finds her branching out as a writer with such bold-faced names as John Mayer, “Torn” songwriter Anne Preven, and singer-songwriter Jon McLaughlin. She also writes again with Nick Jonas on the soulful, searching “Stop the World.” Demi notes, “When I was younger, my influences were R&B, like Aretha Franklin and Gladys Knight, and even Billie Holiday. More currently, my inspirations were John Mayer and Kelly Clarkson, so I wanted to combine the two, and hopefully we did that with this record. Of course, I was so excited to work with John Mayer.”
Demi, who has written nearly 300 songs in her young life, was beyond thrilled to co-write with the Grammy winner on her second album. The pair worked up two songs in the studio, collaborating on words and music, with the winning, thoughtful ballad “World of Chances” landing on Here We Go Again, and a second tune saved for later. Likewise, she was excited to write “Every Time I Lie” and “Falling Over Me” with singer-songwriter Jon McLaughlin, admitting to being “totally star struck, but trying to act cool.”
In addition to garnering fans among her musical peers, the press are | | |
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